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Ian McShane

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One of my favourite villains of all time is Ian McShane.  He was the super villain on “Agent Cody Banks” that I photographed the stills on back in 2002.  I would later become an even bigger fan of his watching him play the town bad guy in ‘Deadwood”.  He has has that wonderful British charm that translates well into his nasty characters.  His charisma and sense of humour on set always made the crew smile despite the abnormally long hours we worked on this particular feature.   He has a very characteristic expression with the raised right eyebrow and slight snarl on his lips.  I wanted to capture this exact expression nice and close with him looking right at the lens.  When filming on set you are photographing while the actors are performing so you must set it up later if you want to get a shot of them looking at you.  We were filming in this very futuristic bad guy lair which was an ideal spot to get the perfect portrait.  Ian was happy...
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Isabella Rossellini

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Isabella Rossellini was drawn to Winnipeg Manitoba to play the role of a legless Beer Baroness in the art film, "The Saddest Music In the World".  Her legs had been replaced by prosthetic beer filled glasses and she draws musicians in from all over the world to hold a contest for the saddest song.  Isabella is no stranger to unique film making and she braved the Winnipeg winter where it is common to have days that are -30 Celcius to work with film maker and Winnipeg icon, Guy Maddin.  I too was drawn back to Winnipeg where I lived from the ages of 15 to 20 to work with Guy who I had known from the past.   The studio where we were filming was an old empty hangar which was only heated in a couple of areas.  While the crew were wearing huge Sorel boots and massive down filled parkas, the performers were sporting costumes of winter wear from the depression era.  I was very excited to find out that I would have an opportunity to have my own photo shoot with Is...
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Camel Silhouette

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I took this photograph while on a week long walk through the desert of the Western Sahara in Morocco.  This vast landscape appeared to be virtually void of features which heightened my sense of the subtle changes in light and form.  The week long walk was not always through beautiful sand dunes; often it was flat and gravely with the odd tree.  After a day of walking with our small party of Moroccans and a French Canadian, I felt the chatter in my head slip away into a deep walking meditation.   I was surprised at my power of observation in the following days and how tuned in I was to everything around me.  The camels were just as much  a part of our party with their different personalities as all of the human beings in our group. The walking meditation connected to me to the earth and he living creatures around me in a ways I have never felt before nor felt since.   It is a challenge to translate this feeling in an photographic image but my...
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